94 years old M. F. Husain – Not a miracle
Posted: Tue Nov 17, 2009 6:59 pm
Inspired by an interview of MF Husain on ETV I have pened down this article. Data is collected from Internate.
Internationally known Painter-Artist Maqbool Fida Husain is 94 years (97 years according to Hijri calendar) now. Even at this advanced age Maqbool Fida Husain runs about everywhere bear-footed and that too straight without bending, without any one holding his hand. He is quite active and energetic. But no one describes it as "miracle".
Husain comes from a Sulaimani Bohra family.
Sulaimani community which has only 10% of total Bohra population has produced many great personalities like Justice Badruddin Tayyebji, Salim Ali, Fatehi, Dawood Fazal bhoy and Maqbool Fida Husain. It is because their present Dai, Sayedna Jamal Al Din Al-Makrani stays in Yemen and do not interfere in their day to day life. Sulaymanis Bohras are not compelled to adopt any special dress code, They blend with and adapt the local norms of dress. There is no compulsion or coercion to make any payments to the religious authorities. All donations and other religious obligations are voluntary.
F. M. Husain's mother died at Bombay when he was one and a half years old. His father moved to Indore, where Husain went to school. In 1935, he moved to Mumbai and was admitted to Sir J. J. School of Art. He started off by painting cinema hoardings.
In 1940s Husain first became well-known as an artist.
In 1952, his first solo exhibition was held at Zürich and over the next few years, his work was widely seen in Europe and U.S.
In 1955, he was awarded the prestigious Padma Shree prize by the Government of India.
In 1967, he made his first film, "Through the Eyes of a Painter". It was shown at the Berlin Film Festival and won a Golden Bear.
In 1971 M. F. Husain was a special invitee along with Pablo Picasso at the Sao Paulo Biennial.
In 1973 he was awarded the Padma Bhushan
In 1986 he was nominated to the Rajya Sabha.
In 1991 he was awarded the Padma Vibhushan.
Husain went on to become the highest paid painter in India. His single canvases have fetched up to $2 million at a recent Christie's auction.
Maqbool Fida Husain has spent hours and years outlining his love for Hindu philosophy and culture. Eight years spent painting the Ramayana. Eight years painting the Mahabharata. He has painted hundreds of canvases of Ganesha and Shiva and Parvati and Hanuman, the ragas, the natyas and Benaras. Seventy years spent roaming the earth, seeking to enrich its understanding of India.
Several times the Hindu fanatics have smashed his paintings and offices in India declaring him an apostate. On such a tense occasion Maqbool Fida Husain himself sat quietly on the floor of his home with meditative silence heightened by the rhythmic sound of his sketching pen. Nothing could touch him, immune in his concentration. The beautiful room acquired a sense of prayer.
"It is just a moment in history," said M. F. Husain. "Kya kar sakte hain (what can one do)?" He was neither angry nor revengeful. He said in media "I have nothing against them. I pardon them as they are ignorant of what they are destroying."
As on now he is staying in Dubai engaged in a massive project to create 99 paintings on Arab culture by Qatar royal family which he is quite hopeful to complete in time and return to his motherland, India in 2012. Husain says "It is not just Islamic culture. Arab history dates back to much before that. The Sheikh of Qatar is sponsoring the painting for Qatar."
One day in Abu Dhabi, the next in Qatar and each summer in London. He is currently learning Arabic and working on four simultaneous projects: a series of 99 canvases on the Arab Civilization, commissioned by the Queen of Qatar; a series of similar scale on Indian Civilisation, commissioned by Lakshmi Mittal; a series on the history of Indian cinema; and a series on Mughal-e-Azam.
Inspite of enough wealth and luxury he sleeps on a mattress in the drawing room, as he has always done everywhere.
Even at the age of 94 he travels alone.
Except when Maqbool Fida Husain is painting, he is in constant, infectious, prodigious motion, his fingers drumming restlessly to an imaginary tabla.
He is a kind of living history, a national heritage site. But not a miracle.
Internationally known Painter-Artist Maqbool Fida Husain is 94 years (97 years according to Hijri calendar) now. Even at this advanced age Maqbool Fida Husain runs about everywhere bear-footed and that too straight without bending, without any one holding his hand. He is quite active and energetic. But no one describes it as "miracle".
Husain comes from a Sulaimani Bohra family.
Sulaimani community which has only 10% of total Bohra population has produced many great personalities like Justice Badruddin Tayyebji, Salim Ali, Fatehi, Dawood Fazal bhoy and Maqbool Fida Husain. It is because their present Dai, Sayedna Jamal Al Din Al-Makrani stays in Yemen and do not interfere in their day to day life. Sulaymanis Bohras are not compelled to adopt any special dress code, They blend with and adapt the local norms of dress. There is no compulsion or coercion to make any payments to the religious authorities. All donations and other religious obligations are voluntary.
F. M. Husain's mother died at Bombay when he was one and a half years old. His father moved to Indore, where Husain went to school. In 1935, he moved to Mumbai and was admitted to Sir J. J. School of Art. He started off by painting cinema hoardings.
In 1940s Husain first became well-known as an artist.
In 1952, his first solo exhibition was held at Zürich and over the next few years, his work was widely seen in Europe and U.S.
In 1955, he was awarded the prestigious Padma Shree prize by the Government of India.
In 1967, he made his first film, "Through the Eyes of a Painter". It was shown at the Berlin Film Festival and won a Golden Bear.
In 1971 M. F. Husain was a special invitee along with Pablo Picasso at the Sao Paulo Biennial.
In 1973 he was awarded the Padma Bhushan
In 1986 he was nominated to the Rajya Sabha.
In 1991 he was awarded the Padma Vibhushan.
Husain went on to become the highest paid painter in India. His single canvases have fetched up to $2 million at a recent Christie's auction.
Maqbool Fida Husain has spent hours and years outlining his love for Hindu philosophy and culture. Eight years spent painting the Ramayana. Eight years painting the Mahabharata. He has painted hundreds of canvases of Ganesha and Shiva and Parvati and Hanuman, the ragas, the natyas and Benaras. Seventy years spent roaming the earth, seeking to enrich its understanding of India.
Several times the Hindu fanatics have smashed his paintings and offices in India declaring him an apostate. On such a tense occasion Maqbool Fida Husain himself sat quietly on the floor of his home with meditative silence heightened by the rhythmic sound of his sketching pen. Nothing could touch him, immune in his concentration. The beautiful room acquired a sense of prayer.
"It is just a moment in history," said M. F. Husain. "Kya kar sakte hain (what can one do)?" He was neither angry nor revengeful. He said in media "I have nothing against them. I pardon them as they are ignorant of what they are destroying."
As on now he is staying in Dubai engaged in a massive project to create 99 paintings on Arab culture by Qatar royal family which he is quite hopeful to complete in time and return to his motherland, India in 2012. Husain says "It is not just Islamic culture. Arab history dates back to much before that. The Sheikh of Qatar is sponsoring the painting for Qatar."
One day in Abu Dhabi, the next in Qatar and each summer in London. He is currently learning Arabic and working on four simultaneous projects: a series of 99 canvases on the Arab Civilization, commissioned by the Queen of Qatar; a series of similar scale on Indian Civilisation, commissioned by Lakshmi Mittal; a series on the history of Indian cinema; and a series on Mughal-e-Azam.
Inspite of enough wealth and luxury he sleeps on a mattress in the drawing room, as he has always done everywhere.
Even at the age of 94 he travels alone.
Except when Maqbool Fida Husain is painting, he is in constant, infectious, prodigious motion, his fingers drumming restlessly to an imaginary tabla.
He is a kind of living history, a national heritage site. But not a miracle.